THE GRAND
DOMESTIC REVOLUTION

THE GRAND
DOMESTIC REVOLUTION

USER'S MANUAL

USER'S MANUAL

‘The Grand Domestic Revolution—User’s Manual’ (GDR) investigates the domestic space and its (changing) use through a variety of methods and disciplines, traversing the fields of art, design, architecture, urban planning, activism and theory. A number of artists and other practitioners contribute to this endeavour. Residents from 2009-2011 include Sepake Angiama, Paul Elliman, and Doris Denekamp who utilized neighbourhood and online research to create prototypes and interventions around the theme of (Green) Cooperativsm. Wietske Maas and Travis Meinolf experimented with Home Production; while 'interor' infrastuctural interventions for the furniture, library and hallways were created by ifau & Jesko Fezer, Mirjam Thomann and Graziela Kunsch. Current themes and residents from February–October 2011 include Kyohei Sakaguchi and Kateřina Šedá who will each investigate forms of usership in architectures; home and housing rights with Maria Pask and Nazima Kadir; the question of invisible and domestic labour taken up by Werker Magazine; Agency will continue its deliberations on copyright issues of domestic THINGS (gardens and textiles); and keywords in relations to food service work will be workshopped with Xu Tan. Parallel to this, the Read-in activity continues. Initiated by artist Annette Krauss and theatre maker, Read-in is an open reading group inhabiting a different neighbour’s home for every session.

LIBRARY

LIBRARY

The GDR library constitutes the backbone of our ongoing ‘living research’ and thus grows over time. The library offers points of engagement with the project and consists of different research materials such as books, articles, images and DVDs (artist’s video, films) that are available for viewing when visiting the apartment. The first installment was done by the GDR team and was later adapted by Sao Paulo-based artist Graziela Kunsch who suggested that the GDR team create thematic selections.

APARTMENT 18B

APARTMENT 18B

'The Grand Domestic Revolution-User's Manual' is a long-term project developed as Casco’s contribution to 'Utrecht Manifest: Biennial for Social Design'. The project deals with the evolutionary and collaborative process of “living” research in the contemporary domestic and private sphere – particularly in relation to the spatial imagining (or the built environment). It aims at re-articulating while exercising the notions of the social, the public and, eventually, the commons.

TOWN MEETINGS

TOWN MEETINGS

IN AFFINITY

Since August 2010, the GDR team have undertaken research in order to connect with the local neighbourhood on questions relating to peoples’ social conditions and material environments. Questionnaires, interviews, and conversations are the methods used to explore the themes and problems addressed in GDR, such as self-organised governance, co-operative living, and spatial organisation in and from the domestic sphere.

Dear GDR family, relatives, friends and neighbours

Since the last update, we are happy to inform you once again that “The Grand Domestic Revolution Goes On”

As you know, The Grand Domestic Revolution “went on” successfully at The Showroom, London from 11 September ‘til 28 October 2012. It was exceptionally well attended, also by groups of students. This iteration sought to revive the sprit of GDR – exercising artistic/social modes of cooperation and collaboration that depart from the home, and move on to to the neighbourhood and town. The London leg also extended the meaningful collaboration between Casco and The Showroom, while also allowing experimentation with forms of exhibiting, investigating how an art space might be retooled.

In case you did not have an opportunity to see the exhibition at The Showroom, please read Laura Allsop’s review available in Art Review.

In the new year, GDR continues to evolve at Derry~Londonderry in Northern Ireland, accommodated and extended by their newly set up art centre, the CCA with new directors Aileen Burns and Johan Lundh. ‘GDR GOES ON-Derry’ will open on 26 January and close on 23 March 2013. The exhibition will take a different form once again, to emphasise the haptic experience of the different works and the communicability of a series of activities that embed GDR in locally specific contexts and communities.

Meanwhile at Casco, we continue to draw from GDR, i.e. GDR effectuates our upcoming agenda and mode of operation. Casco will dedicate its 2013-2014 programme to exploring the potentials of the commons and relevant practices in the field of art and social work. On 31 January 2013, this investigation will kick-start at Casco with ‘Revolution at Point Zero’: a debate about the definition of the commons between scholar, teacher and activist Silvia Federici, and professor of Institutions for Collective Action in Historical Perspective at Utrecht University, Tine De Moor. A forum will follow on 1 February with Silvia as well as collective initiatives operating in and out of the field of art, some of which developed over the course of GDR. We look forward to providing you with further information about the event in an upcoming invitation that will be sent to you soon.

Finally, the ‘GDR Catalog’ team has been working tirelessly to put the publication together, now scheduled to launch in March 2013! The publication indexes the materials, proposals, actions, historical precedents and questions emerging from our ongoing exploration of the domestic sphere as a locus for building a commons. It features, over 100 “living research” projects and includes contributions from authors such as Shannon Jackson, Silvia Federici, Doina Petrescu, Stephen Wright, J.K. Gibson Graham, Stavros Stavrides, Lucia Babina, Precarias ala Derive, Sarah van Walsum and Margaret Kohn, amongst others. The publication is edited by Binna Choi and Maiko Tanaka, and designed by Åbäke.

The ‘GDR Catalog’ will embark on a “co-revolution” series of book launches at CCA London-Derry, London; CCA London-Derry; Casco, Utrecht; and Art Metropole, Toronto, with a vibrant set of events aimed at activating and situating some of the GDR “tools” investigated in the publication. Please keep a keen eye on the GDR and Casco websites for details about the book launch events in 2013. You will be able to receive a copy of the catalog at a discounted price at the launch events; and if you are a “family member”, you will be given a complimentary one.

I hope that this small update gives you an idea of how GDR is developing. If you find yourself in the neighbourhood, we look forward to welcoming you at any of the aforementioned occasions. And should the need arise, please feel free to write us at gdr@cascoprojects.org with any queries.

Best wishes on behalf of Binna Choi and Maiko Tanaka,
co-initiators of GDR,
Yolande van der Heide,
Publishing Coordinator

NOTES

Urban farming in Havana

Source: BBC Two’s Future of Food
By Sarah Murch


Climate change, drought, population growth – they could all threaten future food supplies. But global agriculture, with its dependence on fuel and fertilisers is also highly vulnerable to an oil shortage, as Cuba found out 20 years ago.

Around Cuba’s capital Havana, it is quite remarkable how often you see a neatly tended plot of land right in the heart of the city. Sometimes smack bang between tower block estates or next door to the crumbling colonial houses, fresh fruit and vegetables are growing in abundance. Some of the plots are small – just a few rows of lettuces and radishes being grown in an old parking space. Other plots are much larger – the size of several football pitches. Usually they have a stall next to them to sell the produce at relatively low prices to local people. Twenty years ago, Cuban agriculture looked very different. Between 1960 and 1989, a national policy of intensive specialised agriculture radically transformed Cuban farming into high-input mono-culture in which tobacco, sugar, and other cash crops were grown on large state farms. Cuba exchanged its abundant produce for cheap, imported subsidised oil from the old Eastern Bloc. In fact, oil was so cheap, Cuba pursued a highly industrialised fuel-thirsty form of agriculture – not so different from the kind of farming we see in much of the West today. But after the collapse of the Soviet Union, the oil supply rapidly dried up, and, almost overnight, Cuba faced a major food crisis. Already affected by a US trade embargo, Cuba by necessity had to go back to basics to survive – rediscovering low-input self-reliant farming.

Oxen replaced tractors when Cuba became a low-fuel economy. With no petrol for tractors, oxen had to plough the land. With no oil-based fertilisers or pesticides, farmers had to turn to natural and organic replacements. Today, about 300,000 oxen work on farms across the country and there are now more than 200 biological control centres which produce a whole host of biological agents in fungi, bacteria and beneficial insects. Havana has almost 200 urban allotments – known as organiponicos – providing four million tonnes of vegetables every year – helping the country to become 90% self-sufficient in fruit and vegetables. Alamo Organiponico is one of the larger co-operatives, employing 170 people, built on a former rubbish tip that produces 240 tonnes of vegetables a year. There is a wide range of crops planted side by side and brightly coloured marigolds at the edges.

“We produce all different kinds of vegetables,” says farmer Emilio Andres, who is proud of the fact that his allotment feeds the local community. “We sell to the people, the school, the hospital, also to the restaurant and the hotel. “It’s important because it’s grown in the city, it’s fresh food for the people, it’s healthy food, and it provides jobs for the people here too. “We don’t spray any chemicals. We only spray biological means like bastilos – a bacteria and fungus to kill the pests. And we use repellent plants like marigolds to keep away the pests. “When I see all of these healthy crops, without too many pests, grown without any chemicals, it’s amazing for me – I am making a contribution for the people that get healthy crops, healthy products.”

As well as marigolds, basil and neem trees are planted around the containers to keep the aphids and beetles at bay. Sunflowers and corn are also planted around the beds to attract beneficial insects such as ladybirds and lace wings. Sticky paper or plastic funnel-shaped bottles are positioned throughout the beds to trap harmful pests that do get into the garden. And the methods work. Lettuce, tomatoes, peppers, squash, sweet potatoes, spinach, herbs and many other crops are grown in huge quantities and sold cheaply. Mangoes are 2 pence (3 US cents) a pound. Black beans 15p (25 cents) and plantain, just 12p (20 cents). At the time of the oil shock, average calorie consumption in Cuba dropped by a third to dangerously low levels. Since then they have bounced back and Cubans eat just a little less than people in the UK. The biggest difference is that a Western diet includes about three times as much food energy from animal products like meat and dairy. The Cuban diet is much less fatty and requires less fuel to produce. A far less varied diet than in the West, it is also much healthier. The standard lunch for the farm workers is black beans, potatoes and rice. Cuban agricultural researcher, Fernando Funes reckons the rest of the world has something to learn from the Cuban agricultural story. “Well, do you have oil forever? And there also other considerations like global warming, nature conservation… the conventional way of farming generates a lot of damage to the environment and to human health. “Developed countries as well as developing countries should pay a lot of attention to this kind of agriculture which takes care of land, people, environment and is also efficient and productive. You can combine both.”


5 January 2011, 21.32 — posted by Doris

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